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home·artworks·Cover Design, Portrait of Kamal-Al-Molk
Cover Design, Portrait of Kamal-Al-Molk by Aydin Aghdashloo

plate no. 5823

Cover Design, Portrait of Kamal-Al-Molk

Aydin Aghdashloo

gouache, paperContemporary Realismportraitportraitmanglassesmustacheclothingfigure
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and rendering skin tones. It also provides practice in using a limited color palette to create subtle variations in value and temperature.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the portrait, paying attention to the angle of the head and the placement of facial features.

  2. step 02

    Establish the background with a dark, even wash of color.

  3. step 03

    Begin blocking in the main areas of color on the face, using thin washes of diluted paint.

  4. step 04

    Gradually build up the values on the face, layering colors to create depth and dimension.

  5. step 05

    Add details to the eyes, nose, and mouth, using small brushes and precise strokes.

  6. step 06

    Paint the clothing, using a combination of wet-on-wet and dry brush techniques to create texture.

  7. step 07

    Add the glasses and mustache, paying attention to the highlights and shadows.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · raw sienna · ivory black · titanium white

secondary · burnt umber · ultramarine blue

Mix raw sienna and white for the base skin tone, adding small amounts of burnt umber and ultramarine blue to create shadows and variations in temperature. Use black and white to create the gray tones for the hair and mustache.

techniques

  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·portrait sketching
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much water, which can cause the colors to become muddy.
  • →Failing to capture the likeness of the subject.
  • →Not paying attention to the values, which can make the portrait look flat.

materials

surface · Watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Gouache paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 1/2 inch)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Easel

Use high-quality gouache paints for best results. Experiment with different brush sizes to achieve various effects.

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