
plate no. 2398
Josef Kriehuber, 1840
Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in watercolor layering and blending techniques.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.
Apply a thin wash of diluted warm color (e.g., raw sienna) to the skin areas.
Build up the skin tones with multiple layers of diluted reds, yellows, and blues, focusing on the shadows and highlights.
Paint the hair with light washes of gray and brown, adding darker tones for depth and highlights for shine.
Block in the dark areas of the coat and tie with diluted black or dark blue, gradually building up the intensity.
Add details to the face, such as the eyes, nose, and mouth, using fine brushstrokes.
Refine the details of the clothing, including the collar, buttons, and folds.
Add subtle shadows and highlights to the background to create depth.
color palette
primary · raw sienna · burnt umber · ivory black · titanium white
secondary · alizarin crimson · ultramarine blue · yellow ochre
Achieve skin tones by mixing raw sienna, alizarin crimson, and a touch of ultramarine blue. Use white to lighten and black to darken. Mix blacks from umber and blue.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple layers. Choose brushes with good snap and a fine point for detail work.
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