
plate no. 8005
Lo Scheggia, 1450
Recreating this painting will help students develop skills in portraiture, rendering drapery, and creating a sense of depth through layering and subtle value changes. It also offers practice in replicating a historical style with its characteristic color palette and composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement and proportions of the figures and instruments.
Block in the main shapes and colors of the background and robes using thin washes.
Begin layering the skin tones, gradually building up highlights and shadows.
Refine the details of the faces, paying attention to the subtle variations in color and value.
Paint the instruments, focusing on their form and texture.
Add the halos using gold paint or a similar metallic color, carefully rendering the details.
Glaze over the painting to unify the colors and create a sense of depth.
Add final details and highlights.
color palette
primary · yellow ochre · burnt sienna · ivory black · titanium white
secondary · cadmium red · viridian green · raw umber
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt sienna and raw umber for shadows. Mix viridian green and ivory black for the darker greens.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a toned canvas can help to establish the overall color harmony of the painting. Consider using a medium to slow the drying time of the paints.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Madonna Enthroned with Saints
Filippo Lippi

Christ the Judge (detali)
Fra Angelico

The Dead Christ Supported by an Angel
Antonello da Messina

St. Michael and St. John
Álvaro Pires de Évora

Penitent St. Jerome
Fra Angelico

The Madonna and Child with the Infant Saint John the Baptist
Sandro Botticelli

Coronation of the Virgin (detail)
Filippo Lippi

Adoration of the Child
Filippino Lippi