apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Contrasting sounds
Contrasting sounds by Moise Kisling

plate no. 0070

Contrasting sounds

Moise Kisling, 1918

oil, boardPost-Impressionismcityscapeboatswaterbuildingscityscapefiguressky
some experience helpful

Recreating this painting will help students develop skills in applying thick, textured brushstrokes and capturing the essence of a scene with simplified forms and colors. It also provides practice in creating depth through layering and varying brushstroke direction.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the boats, buildings, and ship using light pencil lines.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings with diluted paint.

  3. step 03

    Begin adding thicker paint and texture to the water using short, choppy brushstrokes.

  4. step 04

    Define the shapes of the boats and buildings with darker values and bolder brushstrokes.

  5. step 05

    Add details to the ship's rigging and masts, using thin lines and varying the pressure on the brush.

  6. step 06

    Incorporate small figures to add scale and interest to the cityscape.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · raw sienna · ivory black

Mix various shades of blue and white for the water, adding touches of yellow ochre and burnt umber for depth. Create warm grays by mixing white, black, and a touch of red or yellow.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the impasto effect. Consider using a palette knife for applying thick layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov