apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Constant Lambert as a Christ's Hospital Schoolboy
Constant Lambert as a Christ's Hospital Schoolboy by George Washington Lambert

plate no. 4559

Constant Lambert as a Christ's Hospital Schoolboy

George Washington Lambert, 1916

oilPost-Impressionismportraitportraitboyclothingbackgroundfigureschool uniform
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in rendering different textures, such as fabric and skin.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the boy and the background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Paint the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Develop the background, creating depth and atmosphere.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones using white, red, yellow ochre, and a touch of burnt umber. Create the background blue by mixing ultramarine with white and a touch of black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the skin tones
  • →Ignoring the subtle variations in color
  • →Creating a flat, lifeless image

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois