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home·artworks·Conference At Night
Conference At Night by Edward Hopper

plate no. 6319

Conference At Night

Edward Hopper, 1949

oil, canvasNew Realismgenre paintingfiguresinteriorofficelightshadowfurniture
some experience helpful

Recreating this painting will help students understand how to depict light and shadow realistically and how to create a sense of mood through color and composition. It also provides practice in rendering figures and architectural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of figures and furniture.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the light and shadow patterns, noting the strong contrast between illuminated and shaded areas.

  4. step 04

    Refine the shapes of the figures and furniture, adding details and adjusting proportions.

  5. step 05

    Mix and apply the subtle color variations within each area, using layering and blending techniques.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the edges of shapes, softening or hardening them as needed to create a sense of realism.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · ivory black

Mix various shades of gray and brown by combining ultramarine blue, raw umber, and white. Use yellow ochre to warm up the browns and create the color of the furniture. Black is used sparingly for the darkest shadows.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle color variations within each area.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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