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home·artworks·Condemnation of St. Lawrence by the Emperor Valerian
Condemnation of St. Lawrence by the Emperor Valerian by Fra Angelico

plate no. 0548

Condemnation of St. Lawrence by the Emperor Valerian

Fra Angelico, 1449

fresco, wallEarly Renaissancereligious paintingfiguresarchitecturereligious sceneinterioremperorsaint
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting complex scenes with multiple figures and architectural elements.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background colors, starting with the sky and the patterned wall behind the figures.

  3. step 03

    Block in the basic colors of the figures' robes and skin tones, focusing on the overall color harmony.

  4. step 04

    Develop the light and shadow on the figures, using subtle gradations to create volume and form.

  5. step 05

    Add details to the architectural elements, such as the columns, arches, and decorative patterns.

  6. step 06

    Refine the figures' faces and hands, paying attention to the expressions and gestures.

  7. step 07

    Add the final details, such as the gold trim on the robes and the weapons on the floor.

  8. step 08

    Glaze the entire painting to unify the colors and create a sense of depth.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · ivory black · cadmium red light · gold

Mix various shades of blue for the sky and robes by adding white or black. Achieve warm skin tones by blending burnt sienna, yellow ochre, and a touch of red. Create the gold effect by layering yellow ochre and a metallic gold paint.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·color harmony

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh shadows
  • →Lack of color harmony
  • →Ignoring perspective
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 1/2 inch, 1 inch)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (if using oil paints)

optional

  • ·palette knife
  • ·medium gloss
  • ·retarder medium

Use a smooth canvas for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

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