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home·artworks·Concert of Angels (detail from the cental left Crucifixion panel of the Isenheim Altarpiece)
Concert of Angels (detail from the cental left Crucifixion panel of the Isenheim Altarpiece) by Matthias Grünewald

plate no. 4550

Concert of Angels (detail from the cental left Crucifixion panel of the Isenheim Altarpiece)

Matthias Grünewald, 1515

oil, panelNorthern Renaissancereligious paintingangelsmusicarchitecturereligious scenefigureslight
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details, capturing subtle light and shadow, and depicting figures with drapery in a dimly lit environment. It also provides practice in mixing and layering colors to achieve a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural structure and the placement of the figures.

  2. step 02

    Establish the dark background and the overall value structure of the painting.

  3. step 03

    Block in the main colors of the architecture, figures, and drapery, focusing on the local color.

  4. step 04

    Start building up the details of the architecture, paying close attention to the intricate carvings and ornamentation.

  5. step 05

    Refine the figures, adding details to their faces, hands, and clothing.

  6. step 06

    Carefully render the drapery, using highlights and shadows to create a sense of volume and form.

  7. step 07

    Add the details of the musical instruments and other objects in the scene.

  8. step 08

    Finish by adding the final touches of light and shadow, and adjusting the colors as needed.

color palette

primary · red · gold · brown · white

secondary · blue · green · yellow

Achieve the warm, glowing tones by layering thin glazes of red, gold, and brown over a dark underpainting. Use white to create highlights and to lighten the colors as needed. Mix blue and green to create the cooler tones in the background and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering drapery
  • ·depicting light

common pitfalls

  • →Getting lost in the details too early without establishing the overall value structure.
  • →Using colors that are too saturated or bright, which can detract from the overall mood of the painting.
  • →Failing to create a sense of depth and atmosphere by not using enough contrast between light and shadow.
  • →Not paying enough attention to the details of the architecture and figures, which can make the painting look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, gold, brown, white, blue, green, yellow)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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