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home·artworks·Comtesse
Comtesse by Henri de Toulouse-Lautrec

plate no. 4462

Comtesse

Henri de Toulouse-Lautrec, 1887

oil, canvasPost-Impressionismportraitportraitfigureinteriorchairwindowreading
some experience helpful

Recreating this painting will help students develop skills in capturing subtle color variations and using visible brushstrokes to create texture and form. It also provides practice in depicting a figure in an interior setting with soft, diffused light.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and major elements.

  2. step 02

    Establish the background with broad, loose brushstrokes, capturing the overall color and light.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and posture.

  4. step 04

    Begin to refine the details of the face, using subtle color variations to create form.

  5. step 05

    Develop the clothing and chair, using visible brushstrokes to add texture and depth.

  6. step 06

    Add details to the background elements, such as the window and furniture.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Achieve the muted tones by mixing complementary colors and adding white. Use ultramarine blue and raw umber to create a range of grays and blues for the figure's clothing and hair. Mix yellow ochre and burnt sienna for the warm tones in the background.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating overly saturated colors that clash with the muted palette.
  • →Failing to capture the subtle variations in value and color.
  • →Ignoring the importance of visible brushstrokes in creating texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, raw umber, titanium white, yellow ochre, burnt sienna, cadmium red light, viridian)
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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