apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Comedia
Comedia by Thomas Dewing

plate no. 2421

Comedia

Thomas Dewing, 1895

oilTonalismportraitfigureportraitdresswomangreen backgroundgown
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing to achieve subtle tonal variations, and creating atmospheric effects through blended brushwork. It also provides practice in capturing the drape and flow of fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure pose and proportions lightly on the canvas.

  2. step 02

    Establish the overall composition and placement of the figure within the background.

  3. step 03

    Block in the main areas of color for the background, dress, and skin tones using thin washes.

  4. step 04

    Begin layering and blending colors to create depth and subtle tonal variations in the background and dress.

  5. step 05

    Refine the facial features and skin tones, paying attention to highlights and shadows.

  6. step 06

    Add details to the dress, such as the folds, fabric texture, and embellishments.

  7. step 07

    Adjust the overall values and color balance to create a harmonious and atmospheric effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · viridian green · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue

Achieve the subtle greens by mixing viridian green with yellow ochre and white. Use burnt sienna and ultramarine blue to create muted browns and grays for shadows and skin tones. White is crucial for lightening and blending colors.

techniques

  • ·glazing
  • ·scumbling
  • ·wet-on-wet blending
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines or edges instead of soft transitions.
  • →Failing to capture the subtle tonal variations in the background and dress.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas can help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez

Near Conway, North Wales

Near Conway, North Wales

Alexander Helwig Wyant