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home·artworks·Cobbs Barns and Distant Houses
Cobbs Barns and Distant Houses by Edward Hopper

plate no. 3508

Cobbs Barns and Distant Houses

Edward Hopper, 1930

oilNew Realismlandscapebarnshouseslandscapefieldshillssky
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into geometric shapes and practice color mixing to achieve specific moods and atmospheric effects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: barns, houses, hills, and road, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and the basic perspective of the buildings.

  3. step 03

    Block in the large areas of color: sky, fields, and the main colors of the barns and houses.

  4. step 04

    Begin refining the colors, adding variations and shadows to create depth and form.

  5. step 05

    Add details to the barns and houses, such as windows, doors, and roof lines.

  6. step 06

    Work on the texture of the fields and hills, using broken brushstrokes to suggest grass and vegetation.

  7. step 07

    Pay attention to the light and shadow, adjusting the values to create a sense of volume and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · cadmium red · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · sap green · cadmium yellow

Mix various shades of green and yellow for the fields. Use ultramarine blue and burnt umber to create the dark shadows on the barns. Mix white with the primary colors to create lighter tints for the sky and highlights.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early in the process.
  • →Not paying attention to the values and creating a flat image.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the atmospheric perspective and making the distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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