apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Coastal Storm
Coastal Storm by Granville Redmond

plate no. 3954

Coastal Storm

Granville Redmond

oilTonalismlandscapeskycloudstreegrassdunesocean
some experience helpful

This painting provides a good opportunity to practice atmospheric perspective and creating a sense of depth through subtle color and value shifts. Students can also learn to depict movement and weather effects, such as wind and rain, using brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of the tree.

  2. step 02

    Establish the sky with broad strokes, blending dark and light grays to create the stormy atmosphere.

  3. step 03

    Block in the distant landscape and ocean with muted blues and greens, using lighter values for areas further away.

  4. step 04

    Develop the foreground dunes and grass with a mix of browns, greens, and yellows, using directional strokes to suggest the wind's movement.

  5. step 05

    Paint the tree, capturing its bent shape and the direction of the wind.

  6. step 06

    Add details to the grass and foliage, creating texture with short, broken strokes.

  7. step 07

    Refine the clouds and rain, adjusting values and edges to enhance the sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to create a sense of realism and drama.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · sap green · cadmium yellow light

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of yellow ochre or raw umber to warm the grays. Use ultramarine blue to create cool grays and muted greens for the distant landscape.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·directional brushstrokes

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Creating too much contrast, resulting in a harsh and unrealistic atmosphere.
  • →Ignoring the direction of the wind, leading to a static and lifeless composition.
  • →Using colors that are too saturated, creating a jarring effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and blending. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez

Near Conway, North Wales

Near Conway, North Wales

Alexander Helwig Wyant