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Coal by Thomas Hart Benton

plate no. 0190

Coal

Thomas Hart Benton, 1931

canvas, temperaRegionalismgenre paintingindustryfigurescoal minebuildingslandscapesmoke
experienced study

Recreating this painting will help students develop skills in complex composition, figure drawing, and creating depth through atmospheric perspective. Students will also learn to mix and apply a range of earth tones and muted colors to create a realistic industrial scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to map out the complex composition, paying attention to the placement of the figures and industrial elements.

  2. step 02

    Block in the large shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background elements, such as the sky, mountains, and distant buildings, using lighter values and softer edges.

  4. step 04

    Refine the details of the industrial structures, including the buildings, smokestacks, and machinery.

  5. step 05

    Carefully render the figures, paying attention to anatomy, proportion, and the play of light and shadow.

  6. step 06

    Add details to the foreground elements, such as the coal carts and mining equipment.

  7. step 07

    Adjust the colors and values throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to completion.

color palette

primary · burnt umber · ultramarine blue · cadmium red · yellow ochre

secondary · titanium white · ivory black · sap green

Achieve the muted earth tones by mixing the primary colors with white and black. Use ultramarine blue and burnt umber to create various shades of gray. Mix cadmium red with yellow ochre and a touch of burnt umber for the figures' skin tones.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Not accurately capturing the proportions of the figures.
  • →Inconsistent brushstrokes.
  • →Ignoring atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic gesso
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-prime the canvas with acrylic gesso for a smooth surface.

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