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home·artworks·Clown Making Up
Clown Making Up by John French Sloan

plate no. 6581

Clown Making Up

John French Sloan, 1909

oil, canvasNew Realismgenre paintingfigureclowncandlelightinteriortablecostume
some experience helpful

Recreating this painting will help students understand how to depict light and shadow, and how to create a sense of atmosphere using a limited color palette. Students will also learn how to suggest form with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the table.

  2. step 02

    Establish the main light source (candles) and map out the areas of light and shadow.

  3. step 03

    Block in the background with dark, muted tones, using loose brushstrokes.

  4. step 04

    Begin painting the figure, focusing on the overall form and the way the light falls on the costume.

  5. step 05

    Add details to the face and hands, paying attention to the subtle variations in tone.

  6. step 06

    Refine the details of the table and the objects on it, using small brushstrokes.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light

Mix ivory black and raw umber to create the dark background. Use titanium white with small amounts of yellow ochre and burnt sienna to create the highlights on the figure and table. Mix yellow ochre and cadmium yellow light for the candle light.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Using too much white, making the painting look chalky
  • →Failing to establish a strong light source
  • →Not paying attention to the subtle variations in tone

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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