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home·artworks·Closed Blinds
Closed Blinds by Frederick Carl Frieseke

plate no. 1082

Closed Blinds

Frederick Carl Frieseke, 1924

oilPost-Impressionismportraitportraitfigureinteriordresswindowfruit
some experience helpful

Recreating this painting will help students develop skills in color mixing for skin tones and fabrics, as well as understanding how light interacts with different textures. It also provides practice in capturing the likeness of a subject and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and major elements.

  2. step 02

    Block in the main color areas: background, skin tones, dress, and furniture.

  3. step 03

    Begin layering colors to build depth and form, paying attention to the subtle variations in hue and value.

  4. step 04

    Develop the details of the face, focusing on capturing the likeness and expression.

  5. step 05

    Add the details of the dress, including the stripes and folds.

  6. step 06

    Refine the background and surrounding elements, such as the window and fruit bowl.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to color and value to achieve a cohesive and harmonious composition.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium yellow · alizarin crimson · raw umber

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Achieve the blues in the dress by mixing ultramarine blue with white and a hint of yellow ochre. The orange-red of the chair is a mix of burnt sienna and alizarin crimson.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of the background in creating a sense of depth.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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