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home·artworks·Cliffs at Fecamp in Normandy
Cliffs at Fecamp in Normandy by Gustave Loiseau

plate no. 9897

Cliffs at Fecamp in Normandy

Gustave Loiseau, 1920

oilPost-Impressionismlandscapecliffsseaskybeachvegetationcoastline
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering brushstrokes to create texture and depth. It also provides practice in capturing atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cliffs, coastline, and horizon line.

  2. step 02

    Block in the sky with light blues and purples, blending softly.

  3. step 03

    Establish the base colors of the sea using greens and blues, varying the tones to suggest depth.

  4. step 04

    Paint the distant cliffs with muted greens and browns, focusing on their overall shape.

  5. step 05

    Develop the foreground cliffs with a mix of browns, greens, and oranges, using short, broken brushstrokes.

  6. step 06

    Add highlights to the water and cliffs to create a sense of light and form.

  7. step 07

    Refine the details of the vegetation and rock formations, paying attention to texture.

  8. step 08

    Add small details like the suggestion of boats in the distance.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · viridian green · alizarin crimson · violet

Mix blues and greens with white to create the various shades of the sea and sky. Use burnt sienna and yellow ochre for the cliffs, adding touches of green and red for variation. Create muted tones by mixing complementary colors.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·wet-on-dry

common pitfalls

  • →over-blending colors, resulting in a muddy appearance
  • →neglecting the subtle color variations in the sea and sky
  • →making the foreground too detailed and distracting
  • →not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or 16x20)
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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