
plate no. 2098
Alexandre Benois, 1899
Recreating this painting will help students develop skills in architectural drawing, perspective, and watercolor washes. It also provides practice in rendering subtle color variations and textures.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and perspective lines of the buildings and church.
Refine the sketch, adding details like windows, columns, and roof lines.
Apply a light wash of diluted yellow and orange to the sky area.
Mix a light gray-blue for the buildings and apply a thin wash, leaving some areas white for highlights.
Add darker values to the shadows and architectural details using a mix of gray, brown, and blue.
Use a fine brush to add details like window panes, architectural ornamentation, and roof textures.
Glaze with thin washes of color to unify the painting and add depth.
Add final touches and highlights with white or light-colored paint.
color palette
primary · titanium white · raw umber · yellow ochre
secondary · cerulean blue · burnt sienna
Mix light grays by combining white with small amounts of raw umber and blue. Achieve the warm tones of the sky by blending yellow ochre with a touch of burnt sienna.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple washes. A limited palette of colors will encourage mixing and create a more harmonious painting.
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