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home·artworks·Church in the Village in Labastide du Vert
Church in the Village in Labastide du Vert by Henri Martin

plate no. 4459

Church in the Village in Labastide du Vert

Henri Martin

oil, boardPost-Impressionismlandscapevillagechurchlandscapetreeshillsbuildings
some experience helpful

Recreating this painting will help students develop skills in pointillism and color mixing to create texture and depth. It also provides practice in rendering architectural forms within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the church, village buildings, and the outline of the hills.

  2. step 02

    Establish the horizon line and the perspective of the fields and roads.

  3. step 03

    Apply a base layer of color to the sky, hills, and fields, using broad strokes.

  4. step 04

    Begin building up the texture using small, individual brushstrokes of varying colors (pointillism).

  5. step 05

    Focus on the church, adding details to the architecture and using lighter colors to suggest sunlight.

  6. step 06

    Add details to the village buildings, varying the colors and textures to create a sense of depth.

  7. step 07

    Refine the details in the fields, using different colors to represent different crops.

  8. step 08

    Add final touches to the trees and foliage, using darker greens and browns to create shadows.

color palette

primary · yellow ochre · sap green · ultramarine blue · burnt sienna

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the muted tones by mixing complementary colors. Use white to lighten colors and create highlights. Mix small amounts of blue with earth tones to create shadows.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying brushstrokes too uniformly, losing the sense of texture.
  • →Ignoring the perspective, resulting in a flat composition.
  • →Neglecting the details of the architecture, resulting in a simplified church.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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