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home·artworks·Chrysanthemums (still Life Beside a Lake)
Chrysanthemums (still Life Beside a Lake) by Fujishima Takeji

plate no. 5096

Chrysanthemums (still Life Beside a Lake)

Fujishima Takeji, 1928

oilPost-Impressionismflower paintingflowerslakestill lifetablemountainsfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating depth through atmospheric perspective, and capturing the textures of different objects with visible brushstrokes. It also provides practice in composing a complex still life with a landscape backdrop.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the table, vase, and landscape elements.

  2. step 02

    Block in the main color areas for the sky, water, mountains, and table cloth with thin washes.

  3. step 03

    Establish the values and colors of the flowers, paying attention to the highlights and shadows.

  4. step 04

    Develop the details of the vase, teacups, and other objects on the table.

  5. step 05

    Refine the landscape, adding details to the mountains and reflections in the water.

  6. step 06

    Add the foliage framing the scene, using broken brushstrokes to create texture.

  7. step 07

    Adjust the overall color harmony and value relationships to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ultramarine blue · cadmium red · yellow ochre

secondary · burnt umber · titanium white · sap green

Mix various shades of blue and white for the sky and water. Use red and yellow ochre to create warm tones for the flowers and foliage. Burnt umber is essential for shadows and defining forms.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to create a sense of depth in the landscape.
  • →Making the colors too saturated and unrealistic.
  • →Not paying attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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