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Chrysanthemums by Vanessa Bell

plate no. 9652

Chrysanthemums

Vanessa Bell, 1920

oil, canvasPost-Impressionismstill lifeflowerspitcherstill lifefabrictable
some experience helpful

Recreating this painting will help students develop skills in observing subtle color variations and layering brushstrokes to create texture. It also provides practice in depicting rounded forms and reflections.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the pitcher, flowers, and background elements, paying attention to proportions.

  2. step 02

    Establish the dark background color with a thin wash.

  3. step 03

    Block in the main colors of the pitcher, flowers, and fabric, focusing on overall tones.

  4. step 04

    Begin layering paint on the pitcher to define its form and add highlights and shadows.

  5. step 05

    Add details to the flowers, using short, broken brushstrokes to suggest the petals.

  6. step 06

    Paint the decorative elements on the pitcher, such as the blue pattern and the bird.

  7. step 07

    Refine the background and fabric, adding subtle color variations and texture.

  8. step 08

    Add the reflection on the table surface and make final adjustments to the composition.

color palette

primary · titanium white · ultramarine blue · burnt umber · alizarin crimson

secondary · yellow ochre · viridian green

Mix white with small amounts of umber and ochre to achieve the off-white of the pitcher. Combine blues and reds for the flower petals, and adjust with white for lighter tones. Use ultramarine and burnt umber to create the dark background.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color layering
  • ·blending
  • ·observational drawing

common pitfalls

  • →Overworking the details too early.
  • →Failing to capture the subtle color variations in the pitcher.
  • →Ignoring the importance of the background in creating depth.
  • →Making the reflection too bright or defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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