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home·artworks·Christmas Eve
Christmas Eve by George Inness

plate no. 8814

Christmas Eve

George Inness

oilTonalismlandscapelandscapemoonskytreesfigurepath
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create a sense of depth using value and color. It also provides practice in blending and creating soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the position of the moon, and the path.

  2. step 02

    Block in the large areas of color, starting with the sky and then the ground.

  3. step 03

    Establish the dark values of the trees and the figure, using a thin wash of color.

  4. step 04

    Begin to refine the shapes of the clouds, blending the edges to create a soft, atmospheric effect.

  5. step 05

    Add the highlights on the path and the moon, using a lighter value of the base color.

  6. step 06

    Introduce subtle color variations in the ground and the trees to create depth and interest.

  7. step 07

    Add details such as the bare tree branches and the texture of the ground.

  8. step 08

    Review and adjust the values and colors to create a harmonious and balanced composition.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna

Mix ultramarine blue and burnt umber to create the dark, muted tones of the sky and the trees. Add titanium white to lighten the colors and create highlights. Use yellow ochre and raw sienna to add warmth to the ground and the clouds.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·glazing
  • ·value control

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating harsh edges and failing to blend the colors properly.
  • →Using too much contrast and creating a composition that is too busy.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a high-quality canvas and oil paints for best results. Thin the oil paints with linseed oil to create a smooth, flowing consistency.

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oil painting for beginners →how to learn by studying the masters →
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