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home·artworks·Christ Taking Leave of His Mother
Christ Taking Leave of His Mother by Bernhard Strigel

plate no. 8723

Christ Taking Leave of His Mother

Bernhard Strigel, 1520

oilNorthern Renaissancereligious paintingfigurestreeslandscapemountainsreligious scenebuilding
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, and in rendering drapery with realistic folds and highlights. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the landscape elements.

  2. step 02

    Establish the background with thin washes of color, starting with the sky and mountains.

  3. step 03

    Block in the main colors of the figures' robes, paying attention to the overall color scheme.

  4. step 04

    Begin to define the forms of the figures by adding shadows and highlights to the drapery.

  5. step 05

    Develop the details of the trees and other landscape elements, using a variety of brushstrokes.

  6. step 06

    Refine the facial features and hands of the figures, paying attention to the expressions.

  7. step 07

    Add final details and highlights to the entire painting, ensuring that the composition is balanced and harmonious.

  8. step 08

    Varnish the finished painting to protect it and enhance the colors.

color palette

primary · red · green · brown · blue

secondary · yellow · white · black

Mix greens by combining blues and yellows, and create variations in the browns by adding small amounts of red, blue, or yellow. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·glazing
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, green, brown, blue, yellow, white, black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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