apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Christ Before Pilate
Christ Before Pilate by Horace Pippin

plate no. 2980

Christ Before Pilate

Horace Pippin, 1941

oilNaïve Art (Primitivism)religious paintingfiguresarchitecturereligious scenecrowdcolumnsspears
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive composition. It also encourages experimentation with texture through visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figures and architectural elements, focusing on overall composition.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the figures.

  3. step 03

    Add details to the figures, such as facial features and clothing folds, using simple shapes and lines.

  4. step 04

    Create texture by applying paint with visible brushstrokes, varying the direction and pressure.

  5. step 05

    Mix slightly lighter and darker shades of each color to add depth and dimension.

  6. step 06

    Refine the edges of shapes and add highlights and shadows to create contrast.

  7. step 07

    Add the small details like the spears and the crown of thorns.

  8. step 08

    Let dry and add a final layer of varnish for protection.

color palette

primary · titanium white · burnt umber · cadmium red

secondary · yellow ochre · payne's gray · ultramarine blue

Mix white with small amounts of burnt umber and blue to achieve the various shades of gray in the architecture. Use red and yellow ochre to create the warm tones of the robes. Payne's gray can be used to darken the umber for shadows.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·limited palette
  • ·simplification of form
  • ·scumbling

common pitfalls

  • →Overcomplicating the shapes of the figures.
  • →Using too many colors, resulting in a muddy composition.
  • →Blending the colors too much, losing the texture.
  • →Not paying attention to the overall composition and balance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes size 4 and 8

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·varnish

Use a canvas with a medium texture to enhance the brushstroke effect. Consider using a limited palette of oil paints for easier color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden