apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Child in Red Coat
Child in Red Coat by Bertalan Por

plate no. 2199

Child in Red Coat

Bertalan Por, 1930

oilPost-Impressionismportraitportraitfigurechildred coathairface
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing likeness through simplified shapes and color blocks. It also provides practice in creating depth and form using value and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and coat.

  2. step 02

    Block in the main areas of color: skin tones, hair, coat, and background.

  3. step 03

    Establish the darkest and lightest values to create a sense of form.

  4. step 04

    Refine the shapes and colors, paying attention to the planes of the face and the folds of the coat.

  5. step 05

    Add details such as the eyes, nose, and mouth, using bold brushstrokes.

  6. step 06

    Adjust the overall color harmony and value contrast.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality.

  8. step 08

    Allow to dry and varnish.

color palette

primary · cadmium red · yellow ochre · titanium white · ivory black

secondary · burnt umber · raw sienna · ultramarine blue

Mix skin tones by combining yellow ochre, cadmium red, and titanium white. Use burnt umber and ivory black to create dark shadows and background tones. Mix ultramarine blue with burnt umber to create cooler darks.

techniques

  • ·Blocking in
  • ·Impasto
  • ·Broken color
  • ·Scumbling
  • ·Color temperature variation

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Not establishing a strong value structure.
  • →Being too timid with the brushstrokes.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 6, 8)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (for oil paints)

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use good quality paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois