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home·artworks·Chelsea in Winter
Chelsea in Winter by Pietropoli Patrick

plate no. 0917

Chelsea in Winter

Pietropoli Patrick

oil, linenContemporary Realismcityscapecityscapebuildingsskywaterurbanarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering, creating atmospheric perspective, and simplifying complex forms into basic shapes. It also provides practice in using a limited color palette to create a cohesive and harmonious image.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the buildings and water.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings using thin washes.

  3. step 03

    Begin layering darker values to define the forms of the buildings and create depth.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushstrokes.

  5. step 05

    Introduce subtle color variations to create interest and realism.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the contrast and create a focal point.

  8. step 08

    Refine details and adjust values as needed to achieve the desired effect.

color palette

primary · gray · beige · raw umber · burnt sienna

secondary · white · light blue · dark brown

Achieve the various grays by mixing white with small amounts of raw umber, burnt sienna, and blue. Use varying ratios to create warm and cool grays.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too many colors and creating a muddy or discordant palette.
  • →Failing to establish a strong value structure and creating a flat image.
  • →Not simplifying the complex forms of the buildings and getting bogged down in unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·oil paints: titanium white, raw umber, burnt sienna, ultramarine blue
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the initial values.

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oil painting for beginners →how to learn by studying the masters →
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