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home·artworks·Chateaubriand s Tomb, St Malo (also known as St. Malo Chateaubriand s Tomb)
Chateaubriand s Tomb, St Malo (also known as St. Malo Chateaubriand s Tomb) by Maurice Prendergast

plate no. 6801

Chateaubriand s Tomb, St Malo (also known as St. Malo Chateaubriand s Tomb)

Maurice Prendergast, 1907

oil, canvasPost-Impressionismlandscapebuildingseafiguresbeachskyrocks
some experience helpful

This painting is great for learning how to simplify complex scenes into blocks of color and how to create texture with visible brushstrokes. Students will also practice color mixing to achieve the subtle variations in the water and sky.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, rocks, and horizon line.

  2. step 02

    Block in the sky with light blues and greens, using horizontal brushstrokes.

  3. step 03

    Paint the building with ochre and brown, defining the basic structure.

  4. step 04

    Add the dark green of the distant landmass.

  5. step 05

    Block in the sea with varying shades of green, using short, choppy brushstrokes.

  6. step 06

    Paint the beach area with a base of yellow ochre.

  7. step 07

    Add the figures on the beach using dabs of color for their hats and bodies.

  8. step 08

    Refine details and add highlights to the building and rocks.

color palette

primary · yellow ochre · ultramarine blue · viridian green · burnt sienna

secondary · titanium white · cadmium red · ivory black

Mix greens by combining blue and yellow. Use white to lighten colors and create highlights. Mix browns by combining red, yellow, and blue.

techniques

  • ·broken color
  • ·impasto
  • ·color layering
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too uniform and lacking variation.
  • →Not simplifying the figures enough, resulting in a cluttered look.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·round brushes
  • ·flat brushes
  • ·linseed oil
  • ·palette
  • ·mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-textured canvas to enhance the brushstroke effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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