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home·artworks·Chapelle de Buis
Chapelle de Buis by Maurice Utrillo

plate no. 8485

Chapelle de Buis

Maurice Utrillo

oil, canvasPost-Impressionismcityscapebuildingchurchskytreeshouseslandscape
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, atmospheric perspective, and creating texture with visible brushstrokes. It also provides practice in color mixing to achieve subtle variations in light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the church, houses, and landscape, paying attention to perspective.

  2. step 02

    Block in the sky with a light blue, using soft, blended brushstrokes to create the clouds.

  3. step 03

    Establish the basic colors of the buildings, using a limited palette of white, gray, and brown.

  4. step 04

    Add details to the church, such as the windows, arches, and spire, using a smaller brush.

  5. step 05

    Paint the surrounding houses and landscape, using a mix of greens, browns, and reds.

  6. step 06

    Add the bare trees in the foreground, using thin, delicate brushstrokes.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add the artist's signature in the lower right corner.

color palette

primary · titanium white · ultramarine blue · raw umber · burnt sienna

secondary · cadmium yellow · ivory black · cadmium red light

Mix white with small amounts of blue and umber to create the sky. Use white with umber and sienna to create the various shades of the building. Mix red and umber for the roof colors.

techniques

  • ·dry brush texture
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too much detail in the background, which can flatten the image.
  • →Not paying attention to the perspective of the buildings.
  • →Making the colors too saturated and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a canvas with a medium texture to allow the brushstrokes to show through. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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