
plate no. 5846
Antonio Sicurezza, 1974
Recreating this painting will help students develop skills in impasto application and color mixing to achieve realistic light and shadow effects. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Sketch the basic shapes of the village, church, and trees, focusing on composition.
Block in the sky with a thin layer of light blue paint.
Establish the dark values in the trees and shadows of the buildings.
Apply thicker paint for the sunlit areas of the buildings, using a variety of yellows and whites.
Add the foliage with short, textured brushstrokes, varying the greens and adding touches of red.
Paint the church, paying attention to the subtle color variations in the white.
Create the foreground with textured strokes of yellow, green, and brown.
Add final details and highlights to enhance the sense of depth and light.
color palette
primary · yellow ochre · titanium white · ultramarine blue
secondary · sap green · burnt umber · cadmium red light
Mix various shades of green by combining yellow ochre, ultramarine blue, and sap green. Create the building colors by mixing titanium white with small amounts of yellow ochre and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the impasto effect. Consider using a painting medium to improve the flow of the paint.
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