apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cass
Cass by Rita Angus

plate no. 3395

Cass

Rita Angus, 1936

oilRegionalismlandscapemountainsbuildingtreesskyfigurelandscape
some experience helpful

This painting provides practice in simplifying complex forms into geometric shapes and using a limited color palette to create a cohesive landscape. Students will learn to create depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, building, and trees, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with light blue, adding subtle variations for clouds.

  3. step 03

    Establish the base colors for the mountains, using different shades of brown and ochre.

  4. step 04

    Paint the building with its base color, adding details like the door, windows, and signage.

  5. step 05

    Add the trees, using a dark green for the foliage and brown for the trunks.

  6. step 06

    Paint the foreground with a mix of browns and yellows to represent the grassy field.

  7. step 07

    Add the figure and other details on the platform.

  8. step 08

    Refine the details and add highlights and shadows to create depth and dimension.

color palette

primary · ochre · burnt sienna · ultramarine blue

secondary · cadmium red · sap green · titanium white

Mix ochre and burnt sienna for the mountains. Use ultramarine blue and white for the sky. Mix sap green and burnt sienna for the trees.

techniques

  • ·blocking in
  • ·layering
  • ·geometric simplification
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overcomplicating the shapes of the mountains and trees.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the subtle variations in value and color.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use a medium-textured canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Pipe and Bowl sign Painter

Pipe and Bowl sign Painter

Norman Rockwell

Spring Plowing

Spring Plowing

Grant Wood

The Sources of Country Music

The Sources of Country Music

Thomas Hart Benton

Cradling Wheat

Cradling Wheat

Thomas Hart Benton

Trail Riders

Trail Riders

Thomas Hart Benton

The Hunter

The Hunter

Andrew Wyeth

Pont Marie

Pont Marie

Grace Albee

New England Editor

New England Editor

Thomas Hart Benton