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home·artworks·Casino
Casino by Jesús Meneses del Barco

plate no. 2007

Casino

Jesús Meneses del Barco, 1975

oilContemporary Realismgenre paintingfiguresinteriortableschairsroomcasino
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a dimly lit environment and understanding how to use value to create depth and form. It also provides practice in capturing the atmosphere of a social gathering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and tables.

  2. step 02

    Establish the overall warm tone of the painting with a thin wash of burnt sienna or raw umber.

  3. step 03

    Block in the darkest areas of the painting, such as the figures' clothing and the shadows under the tables.

  4. step 04

    Begin to define the figures, paying attention to the highlights on their faces and clothing.

  5. step 05

    Add details to the background, such as the architectural elements and the other figures in the room.

  6. step 06

    Refine the values and colors throughout the painting, creating a sense of depth and atmosphere.

  7. step 07

    Add final details, such as the cards on the table and the expressions on the figures' faces.

  8. step 08

    Glaze with thin washes to unify the painting and enhance the warm tones.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · ivory black · yellow ochre

Achieve the warm, muted tones by mixing burnt sienna and raw umber with white. Use small amounts of black to darken areas and yellow ochre to add subtle highlights.

techniques

  • ·underpainting
  • ·value studies
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, which can make the painting look harsh.
  • →Failing to establish a strong value structure, which can make the painting look flat.
  • →Getting lost in the details of individual figures before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a toned canvas to speed up the underpainting process.

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