apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Caitlin
Caitlin by Augustus John

plate no. 8920

Caitlin

Augustus John, 1936

oilPost-Impressionismportraitportraitfigurewomancurly hairdressprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing the texture of hair with visible brushstrokes. It also provides practice in simplifying complex patterns and creating a sense of depth through tonal variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, neck, and shoulders.

  2. step 02

    Block in the background with broad strokes of muted grays and browns.

  3. step 03

    Establish the main skin tones using a base layer of light flesh color.

  4. step 04

    Add shadows and highlights to define the facial features and create form.

  5. step 05

    Paint the hair, focusing on capturing the overall shape and texture with loose, expressive brushstrokes.

  6. step 06

    Block in the colors and patterns of the dress, simplifying the details.

  7. step 07

    Refine the details of the face, hair, and dress, paying attention to edges and color relationships.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · alizarin crimson · sap green

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Use burnt umber and blue for shadows. The dress colors are created by mixing the primaries with white to create pastel shades.

techniques

  • ·portrait painting
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Making the skin tones too flat and lifeless.
  • →Failing to capture the texture of the hair.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov