apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cairo scene
Cairo scene by Gustavo Simoni

plate no. 4651

Cairo scene

Gustavo Simoni

oil, boardOrientalismcityscapecityscapebuildingspeoplestreetarchitecturesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for realistic rendering of buildings and figures, and creating a sense of depth in a complex scene. It also provides practice in capturing the essence of a bustling street scene with numerous figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the buildings and the placement of the main elements (mosque, figures).

  2. step 02

    Establish the sky with a thin wash of light blue, allowing for subtle variations in tone.

  3. step 03

    Block in the main shapes of the buildings with light washes of warm and cool grays, paying attention to the light and shadow patterns.

  4. step 04

    Add the mosque, focusing on the striped pattern and the dome's form.

  5. step 05

    Begin adding details to the buildings, such as windows, balconies, and architectural features, using a variety of brushstrokes to create texture.

  6. step 06

    Paint the figures in the foreground, simplifying their forms and focusing on their gestures and clothing.

  7. step 07

    Add details to the street scene, such as shadows, textures, and small objects.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red light · sap green

Achieve the muted tones of the buildings by mixing white with small amounts of raw umber, burnt sienna, and ultramarine blue. Use yellow ochre and cadmium red light to create the warmer tones of the mosque and the figures' clothing. Mix sap green with raw umber and white for the balconies.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Getting the perspective wrong, which can make the buildings look distorted.
  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Using colors that are too bright or saturated, which can detract from the overall atmosphere.
  • →Failing to create a sense of depth, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti