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home·artworks·Café on the Corner of the Bridge
Café on the Corner of the Bridge by Marie Duhem

plate no. 0112

Café on the Corner of the Bridge

Marie Duhem, 1900

oilPost-Impressionismcityscapebuildingwaterbridgeskyfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice applying visible brushstrokes to create texture and form. Students will also learn to simplify complex architectural details and capture the essence of a cityscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, bridge, and water, focusing on proportions and perspective.

  2. step 02

    Block in the main color areas for the sky, buildings, and water using thin washes.

  3. step 03

    Develop the sky with subtle color variations, blending warm and cool tones.

  4. step 04

    Add details to the buildings, such as windows, doors, and architectural features, using thicker paint and visible brushstrokes.

  5. step 05

    Paint the bridge and its reflection in the water, paying attention to the play of light and shadow.

  6. step 06

    Create texture in the water with short, broken brushstrokes, suggesting ripples and reflections.

  7. step 07

    Add the figures and any other small details to complete the composition.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to achieve a harmonious effect.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, red and green) with white. Use yellow ochre and burnt umber as base colors and adjust with small amounts of other colors.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations in the sky and water.
  • →Getting bogged down in excessive detail and losing the overall impression.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on medium)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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