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Cadaver by Craig Mullins

plate no. 8354

Cadaver

Craig Mullins

digitalContemporary Realismportraitportraitfigurehairfaceear
experienced study

Recreating this painting would help students develop skills in subtle color mixing for skin tones and understanding light and shadow on complex forms. It's also a good exercise in capturing soft edges and creating a sense of depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the head, neck, and shoulders.

  2. step 02

    Establish the background with a dark, muted tone, paying attention to the subtle variations in value.

  3. step 03

    Block in the main areas of light and shadow on the face and neck using a limited palette of skin tones.

  4. step 04

    Refine the shapes and values of the facial features, focusing on the subtle transitions between light and shadow.

  5. step 05

    Add details to the hair, using loose brushstrokes to suggest texture and volume.

  6. step 06

    Paint the clothing, paying attention to the patterns and folds.

  7. step 07

    Soften edges and blend colors to create a sense of realism.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · burnt umber · raw sienna · cadmium red light

secondary · ultramarine blue · purple

Mix skin tones by combining white, umber, sienna, and a touch of red. Use blue and purple to create shadows and cool tones.

techniques

  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·soft edges

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too saturated or bright.
  • →Creating hard edges that make the painting look unnatural.
  • →Failing to accurately capture the proportions and anatomy of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

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