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home·artworks·Burnt-Over Forest
Burnt-Over Forest by Tom Thomson

plate no. 5254

Burnt-Over Forest

Tom Thomson, 1916

oil, woodPost-Impressionismlandscapetreesforestlandscapeskycloudshill
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in simplifying a complex scene into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the major tree trunks and the distant hill.

  2. step 02

    Block in the sky with a light blue, adding white and gray for the clouds.

  3. step 03

    Establish the dark mass of the distant hill using a mix of dark blue, purple, and brown.

  4. step 04

    Paint the foreground with a base of yellow ochre, adding variations of orange, green, and brown to create depth and texture.

  5. step 05

    Add the tree trunks using dark brown and black, highlighting the edges with touches of orange and red to suggest sunlight.

  6. step 06

    Use short, broken brushstrokes to create the foliage and undergrowth, varying the colors to add interest.

  7. step 07

    Refine the details of the clouds and the foreground, paying attention to the direction of light and shadow.

  8. step 08

    Add final touches and highlights to enhance the overall impression of the scene.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium orange · alizarin crimson · viridian green

Mix the sky blues by adding white to ultramarine blue. Use burnt umber and ultramarine blue for the dark tones of the trees and hills. Mix yellow ochre with small amounts of orange and green for the foreground.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·layering

common pitfalls

  • →Overblending the colors, which can flatten the image.
  • →Making the tree trunks too uniform in color and shape.
  • →Ignoring the direction of light and shadow.
  • →Getting lost in details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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