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home·artworks·Burnt Area with Ragged Rocks
Burnt Area with Ragged Rocks by Tom Thomson

plate no. 2298

Burnt Area with Ragged Rocks

Tom Thomson, 1915

oil, panelPost-Impressionismlandscapetreesrockslakeskylandscapeforest
some experience helpful

Recreating this painting will help students practice layering colors and creating texture with visible brushstrokes. It also provides an opportunity to learn about atmospheric perspective and simplifying complex scenes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the rocks, trees, and horizon line.

  2. step 02

    Block in the sky with light blue and pink hues, blending softly.

  3. step 03

    Establish the dark mass of the forest in the background using dark greens and blues.

  4. step 04

    Paint the lake with horizontal strokes, reflecting the colors of the sky.

  5. step 05

    Add the rocks in the foreground, using thick paint and visible brushstrokes to create texture.

  6. step 06

    Paint the bare trees with thin, vertical strokes, varying the thickness and color.

  7. step 07

    Add details and highlights to the rocks and trees to enhance depth and realism.

  8. step 08

    Refine the overall composition and adjust colors as needed.

color palette

primary · cerulean blue · titanium white · burnt umber · cadmium yellow

secondary · alizarin crimson · viridian green · ultramarine blue

Mix the sky colors by blending cerulean blue, titanium white, and a touch of alizarin crimson for the pink hues. Achieve the dark greens for the forest by mixing viridian green, ultramarine blue, and burnt umber.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the rocks too uniform in color and texture.
  • →Ignoring the atmospheric perspective, making the background too sharp.
  • →Not varying the brushstrokes enough, resulting in a flat painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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