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home·artworks·Buildings at Passy, Pari
Buildings at Passy, Pari by Christopher Wood

plate no. 1914

Buildings at Passy, Pari

Christopher Wood, 1927

oilPost-Impressionismcityscapebuildingscityscapetreeswaterboatsfigures
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and forms. Students will also learn to create a sense of atmosphere through subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition of the buildings, boats, and water.

  2. step 02

    Block in the main colors of the sky, buildings, water, and foreground using thin washes.

  3. step 03

    Begin adding details to the buildings, focusing on the light and shadow patterns.

  4. step 04

    Paint the trees and figures, simplifying their forms and using a limited color palette.

  5. step 05

    Add details to the boats and water, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the overall composition, adjusting colors and values as needed.

  7. step 07

    Add final details, such as highlights and shadows, to create depth and interest.

  8. step 08

    Allow to dry and then add a varnish.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · sap green · payne's gray · cadmium yellow

Mix yellow ochre with white to create the light tones of the buildings. Use raw umber and payne's gray for shadows. Mix sap green with yellow ochre for the foliage.

techniques

  • ·dry brush texture
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too many colors and creating a muddy effect.
  • →Failing to simplify the complex shapes of the buildings and boats.
  • →Not paying attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·payne's gray oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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