apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Breton Landscape
Breton Landscape by Maxime Maufra

plate no. 8279

Breton Landscape

Maxime Maufra, 1897

oil, canvasPost-Impressionismlandscapelandscapebuildingschurchfiguresskyvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. Students will also learn to capture the atmospheric perspective of a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, landscape, and sky, paying attention to proportions and perspective.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and then moving to the background hills and buildings.

  3. step 03

    Gradually build up layers of color, adding details and variations in tone to create depth and texture.

  4. step 04

    Focus on capturing the light and shadow patterns on the buildings and landscape.

  5. step 05

    Add the figures and foreground vegetation, paying attention to their scale and placement.

  6. step 06

    Refine the details and adjust the colors as needed to achieve a harmonious composition.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Step back and assess the overall effect, making any necessary adjustments.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow · viridian green

Mix various shades of gray for the buildings by combining ultramarine blue, raw umber, and white. Create the greens for the vegetation by mixing yellow ochre, viridian green, and a touch of blue.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the atmospheric perspective and creating a flat, lifeless landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov