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home·artworks·Breton Landscape
Breton Landscape by Alexandre Benois

plate no. 5740

Breton Landscape

Alexandre Benois, 1906

oil, canvasPost-Impressionismlandscapelandscapebuildingspathhillsskystone wall
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and creating texture with visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, path, hills, and sky.

  2. step 02

    Establish the horizon line and the basic perspective of the path.

  3. step 03

    Block in the large areas of color: sky, hills, path, and buildings, using thin washes.

  4. step 04

    Begin layering colors to create depth and form in the hills and buildings.

  5. step 05

    Add details to the stone wall, using short, broken brushstrokes to suggest texture.

  6. step 06

    Refine the path, adding shadows and highlights to create a sense of depth.

  7. step 07

    Add final details to the buildings and landscape, paying attention to light and shadow.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust values.

color palette

primary · titanium white · yellow ochre · sap green · ultramarine blue

secondary · burnt umber · raw sienna · cadmium yellow light

Mix greens by combining yellow ochre and ultramarine blue. Create earth tones by mixing burnt umber with yellow ochre and white. Achieve atmospheric perspective by lightening and cooling colors as they recede into the distance.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details too early.
  • →Creating mud by overmixing colors.
  • →Ignoring the effects of light and shadow.
  • →Failing to establish a clear focal point.
  • →Not varying brushstrokes to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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