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home·artworks·Bouquinistes de Notre Dame
Bouquinistes de Notre Dame by Edouard Cortes

plate no. 4847

Bouquinistes de Notre Dame

Edouard Cortes

oilPost-Impressionismcityscapecityscapefiguresbuildingstreesbooksstreet
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of a busy street scene with loose brushwork. It also provides practice in mixing muted colors and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the Notre Dame cathedral, the book stalls, and the figures.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, focusing on the light and shadow areas.

  3. step 03

    Block in the main colors of the sky, buildings, and street, using a limited palette.

  4. step 04

    Begin adding details to the book stalls, using thicker paint and smaller brushes.

  5. step 05

    Paint the figures with loose, expressive brushstrokes, focusing on their silhouettes and gestures.

  6. step 06

    Add the trees and foliage, using a variety of greens, yellows, and browns.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add fallen leaves and reflections on the wet street to enhance the atmosphere.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and ultramarine blue to create grays and blacks. Mix yellow ochre and burnt sienna for the warm tones of the leaves and buildings.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·wet-on-dry

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Making the figures too stiff or posed.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and brushwork. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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