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home·artworks·Boulevard des Italians
Boulevard des Italians by Edouard Cortes

plate no. 1035

Boulevard des Italians

Edouard Cortes

oil, canvasPost-Impressionismcityscapecityscapebuildingsstreetfigurescarriagesnight
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering the effects of light on wet surfaces. It also provides practice in depicting figures and architectural details with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines.

  2. step 02

    Block in the large shapes of the buildings and street using diluted washes of color.

  3. step 03

    Establish the main light sources and shadows, focusing on the warm glow of the streetlights and building lights.

  4. step 04

    Start adding details to the buildings, such as windows and architectural features, using small brushstrokes.

  5. step 05

    Paint the figures in the foreground, paying attention to their silhouettes and the way light reflects off their clothing.

  6. step 06

    Create the effect of wet pavement by adding reflections of the buildings and lights using horizontal brushstrokes.

  7. step 07

    Add the bare tree branches, using a fine brush and a dark color.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · ivory black

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use cadmium yellow and alizarin crimson to create warm highlights and the glow of the streetlights.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original painting.
  • →Failing to establish a strong sense of perspective, resulting in a flat or distorted composition.
  • →Using colors that are too saturated, which can detract from the atmospheric effect.
  • →Not capturing the reflections on the wet pavement accurately.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-grit canvas for a textured surface. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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