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home·artworks·Boulevard des Сapucines
Boulevard des Сapucines by Edouard Cortes

plate no. 7895

Boulevard des Сapucines

Edouard Cortes

oilPost-Impressionismcityscapecityscapesnowbuildingspeoplecarsstreetlights
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections on wet surfaces. It also provides practice in depicting figures and vehicles with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of buildings, figures, and vehicles.

  2. step 02

    Establish the overall color scheme with a thin wash of muted purples and grays for the sky and distant areas.

  3. step 03

    Block in the larger shapes of the buildings and street using broader brushstrokes and darker values.

  4. step 04

    Add the figures and vehicles, paying attention to their relative sizes and positions within the scene.

  5. step 05

    Introduce warm colors for the streetlights and shop windows, creating contrast and visual interest.

  6. step 06

    Develop the reflections on the wet street using horizontal strokes and varying values.

  7. step 07

    Add details such as snow on the trees and buildings, using small dabs of white paint.

  8. step 08

    Refine the brushwork and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · raw sienna

Achieve the muted purples and grays by mixing ultramarine blue, burnt umber, and titanium white. Use cadmium yellow and alizarin crimson for the warm highlights of the streetlights and shop windows.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the brushwork.
  • →Failing to establish a strong value structure, resulting in a flat and unconvincing scene.
  • →Ignoring the effects of atmospheric perspective, causing the distant areas to appear too sharp and detailed.
  • →Using colors that are too saturated, creating a garish and unnatural effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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