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home·artworks·Boston Street Scene (Boston Common)
Boston Street Scene (Boston Common) by Edward Mitchell Bannister

plate no. 7950

Boston Street Scene (Boston Common)

Edward Mitchell Bannister, 1899

oilTonalismcityscapecityscapebuildingsstreettreescarriagesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of a scene using loose brushwork and subtle color variations. It's a great exercise in understanding tonal values and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and street, focusing on perspective.

  2. step 02

    Block in the sky with a thin wash of blue-gray, allowing some variation.

  3. step 03

    Establish the main value ranges for the buildings, using a mix of ochre, pink, and white.

  4. step 04

    Paint the street with horizontal strokes, varying the colors to suggest texture and depth.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using small, precise strokes.

  6. step 06

    Paint the trees and foliage with loose, broken brushstrokes, using greens, browns, and yellows.

  7. step 07

    Add the figures and carriages with quick, gestural strokes, suggesting movement and activity.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric scene.

color palette

primary · yellow ochre · titanium white · raw umber · ultramarine blue

secondary · burnt sienna · cadmium yellow light · alizarin crimson · sap green

Mix muted tones by combining complementary colors. Achieve the atmospheric haze by adding white and a touch of blue to your colors.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·tonal layering

common pitfalls

  • →overworking the details
  • →using colors that are too saturated
  • →flattening the perspective
  • →ignoring the tonal values
  • →not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel
  • ·rags

A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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