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home·artworks·Bord de Marne à Lagny
Bord de Marne à Lagny by Léo Gausson

plate no. 4940

Bord de Marne à Lagny

Léo Gausson, 1892

oilPost-Impressionismlandscapetreesriverlandscapebuildingsskyvegetation
some experience helpful

Recreating this painting will help students develop skills in layering brushstrokes to create texture and mixing subtle color variations to depict natural forms. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the large trees, the building, and the riverbank.

  2. step 02

    Block in the sky with light gray and pink hues, using horizontal brushstrokes.

  3. step 03

    Establish the dark masses of the trees with a mix of dark green and brown, varying the tones slightly.

  4. step 04

    Paint the building with a light gray base and add the red roof, paying attention to the perspective.

  5. step 05

    Block in the riverbank with various shades of green, brown, and yellow, using short, directional brushstrokes.

  6. step 06

    Add details to the river with horizontal strokes of gray, blue, and white, reflecting the sky.

  7. step 07

    Introduce small details like the boat and the distant trees to add depth.

  8. step 08

    Refine the overall composition by adjusting values and adding highlights where needed.

color palette

primary · viridian green · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Mix greens by combining viridian green with yellow ochre or ultramarine blue. Achieve the sky colors by mixing titanium white with small amounts of cadmium red and ultramarine blue. Use burnt umber and raw sienna to create earthy tones for the riverbank and trees.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overblending the colors, which can flatten the image.
  • →Failing to establish a clear value structure.
  • →Getting lost in details too early in the process.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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