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home·artworks·Booksellers along the Seine
Booksellers along the Seine by Edouard Cortes

plate no. 0861

Booksellers along the Seine

Edouard Cortes

oilPost-Impressionismcityscapecityscapefiguresbuildingstreesstreetbooksellers
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the impression of light and movement through broken color and visible brushstrokes. Students will also learn to simplify complex architectural details and figures into essential forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and booksellers' stalls.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, paying attention to the light source and shadows.

  3. step 03

    Block in the main colors of the sky, buildings, and ground, using broad strokes.

  4. step 04

    Add details to the buildings, simplifying the architectural elements and focusing on the overall shape.

  5. step 05

    Paint the figures, using quick, expressive brushstrokes to suggest movement and form.

  6. step 06

    Develop the booksellers' stalls, adding details to the books and structures.

  7. step 07

    Add highlights and shadows to create depth and dimension, paying attention to the light reflecting off the wet pavement.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · payne's gray

Mix various shades of gray and blue for the sky and buildings. Use yellow ochre and burnt umber for the ground and trees, adding touches of cadmium red for warmth. Create muted greens by mixing yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·alla prima
  • ·atmospheric perspective
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Making the figures too stiff and static.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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