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home·artworks·Blue Courtyard, Arenys de Munt
Blue Courtyard, Arenys de Munt by Santiago Rusinol

plate no. 0076

Blue Courtyard, Arenys de Munt

Santiago Rusinol, 1913

oilPost-Impressionismlandscapecourtyardarchitecturegardentreesflowersfishbowl
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly for creating nuanced blues and pinks, and in capturing the effects of light and shadow on various surfaces. It also provides practice in depicting foliage and architectural details with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the perspective of the courtyard and the placement of major elements.

  2. step 02

    Block in the large areas of color, starting with the dominant blues and pinks.

  3. step 03

    Begin layering in variations of color within each area, paying attention to the effects of light and shadow.

  4. step 04

    Add details to the foliage, using short, broken brushstrokes to create texture and depth.

  5. step 05

    Refine the architectural details, such as the edges of the walls and the shapes of the planters.

  6. step 06

    Add the details of the fishbowl and the flowers.

  7. step 07

    Adjust the overall color balance and contrast to achieve a harmonious effect.

  8. step 08

    Add final highlights and details to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · titanium white · alizarin crimson

secondary · yellow ochre · sap green · burnt umber

Achieve the various blues by mixing ultramarine with white and small amounts of other colors like crimson or umber to adjust the tone. Mix pinks by blending alizarin crimson with white, and adjust the warmth with a touch of yellow ochre.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors straight from the tube without mixing them properly.
  • →Ignoring the effects of light and shadow on the forms.
  • →Not establishing a clear focal point.
  • →Incorrect perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use good quality oil paints for best results. Pre-toned canvas with a light pink or beige can help to unify the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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