apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Blackfriars Bridge, London
Blackfriars Bridge, London by C. R. W. Nevinson

plate no. 9585

Blackfriars Bridge, London

C. R. W. Nevinson, 1927

oilPost-Impressionismcityscaperivercityscapebuildingsbridgeboatspeople
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a cityscape with a limited color palette. It also provides practice in depicting crowds and reflections.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, buildings, and bridge.

  2. step 02

    Establish the overall tonal values with a thin wash of neutral color.

  3. step 03

    Block in the large shapes of the buildings and the river, paying attention to their relative values.

  4. step 04

    Add details to the buildings and bridge, using darker values to create depth.

  5. step 05

    Paint the river, capturing the reflections of the buildings and boats.

  6. step 06

    Add the figures and vehicles, using small brushstrokes to suggest movement.

  7. step 07

    Refine the details and add highlights to create a sense of atmosphere.

  8. step 08

    Glaze with thin washes to unify the painting and adjust the color balance.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with small amounts of yellow ochre and burnt sienna. Use white to lighten the values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·broken color

common pitfalls

  • →Overworking the details
  • →Using too much bright color
  • →Failing to establish a clear value structure
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for scumbling and dry brushing techniques.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov