apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Blackberry Picker
Blackberry Picker by Andrew Wyeth

plate no. 1666

Blackberry Picker

Andrew Wyeth

oilContemporary Realismlandscapelandscapegrassfoliageberrieshillplants
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as rendering realistic botanical details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, hill, and the placement of the blackberry bushes.

  2. step 02

    Establish the sky with a thin wash of light blue and white, blending smoothly.

  3. step 03

    Block in the large shapes of the hill with varying shades of green, creating depth with darker tones in the shadows.

  4. step 04

    Paint the background field with a base layer of yellow-ochre, gradually adding layers of greens and browns to create the texture of the grass.

  5. step 05

    Begin adding individual blades of grass with thin brushstrokes, varying the color and direction to create a natural look.

  6. step 06

    Carefully paint the blackberry bushes, paying attention to the shape and color of the leaves, stems, and berries.

  7. step 07

    Add highlights to the leaves and berries to create a sense of realism.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and realistic painting.

color palette

primary · yellow ochre · sap green · raw umber · titanium white

secondary · cadmium red · ultramarine blue · burnt sienna

Mix various shades of green by combining yellow ochre, sap green, and raw umber. Create lighter tones by adding titanium white. Use burnt sienna and ultramarine blue to create darker shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating a flat, uniform texture in the grass.
  • →Failing to establish a strong sense of depth.
  • →Inaccurate color mixing, resulting in unnatural tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes #2, #4, #6)
  • ·Flat brushes (sizes #4, #8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Retarder medium
  • ·Easel
  • ·Apron

Use high-quality paints for best results. Consider using a medium to slow the drying time of the paints, especially when working on the grass texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney