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Black Mountain by Grace Cossington Smith

plate no. 0027

Black Mountain

Grace Cossington Smith, 1931

oilPost-Impressionismlandscapemountainlandscapefieldstreesskyhills
suitable for beginners

This painting is a great exercise in simplifying complex landscapes into basic shapes and using a limited color palette to create depth and atmosphere. Students will learn to mix muted tones and practice layering techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountain, fields, and horizon line.

  2. step 02

    Block in the large areas of color with diluted washes, starting with the sky and background.

  3. step 03

    Layer in the darker tones of the mountain, building up the shadows gradually.

  4. step 04

    Define the shapes of the fields with horizontal lines and subtle color variations.

  5. step 05

    Add the red band across the field, paying attention to its curved form.

  6. step 06

    Paint in the details of the trees and bushes with simple, rounded shapes.

  7. step 07

    Add the power poles using thin lines.

  8. step 08

    Refine the edges and add any final details to enhance the overall composition.

color palette

primary · ochre · burnt umber · cerulean blue

secondary · cadmium red · sap green · titanium white

Mix ochre with small amounts of burnt umber and white to create the various tones of the fields. Use cerulean blue and white for the sky, and mix burnt umber with a touch of blue to create the mountain's dark tones.

techniques

  • ·color layering
  • ·simplified shapes
  • ·limited palette
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright
  • →Not simplifying the shapes enough
  • →Ignoring the atmospheric perspective

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use a good quality watercolor paper to prevent buckling and allow for multiple layers of paint. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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