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home·artworks·Black Mesa Landscape, New Mexico - Out Back of Mary`s II
Black Mesa Landscape, New Mexico - Out Back of Mary`s II by Georgia O'Keeffe

plate no. 7036

Black Mesa Landscape, New Mexico - Out Back of Mary`s II

Georgia O'Keeffe

oilPrecisionismlandscapemountainslandscapehillsskytrees
some experience helpful

Recreating this painting helps students understand color blocking and how to simplify complex forms into basic shapes. It also provides practice in blending colors to create smooth transitions and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and hills, focusing on their overall form and placement.

  2. step 02

    Block in the large areas of color for the sky, mountains, and foreground hills.

  3. step 03

    Begin blending the colors within each section to create smooth transitions and subtle value changes.

  4. step 04

    Add the darker values to define the shadows and contours of the mountains and hills.

  5. step 05

    Introduce lighter values to highlight the peaks and ridges.

  6. step 06

    Paint the small trees in the foreground with simple brushstrokes.

  7. step 07

    Refine the edges and details of the shapes, paying attention to the overall harmony of the composition.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · sap green · raw umber

Mix blues and white for the sky, adding small amounts of black or umber for darker mountain shades. Use burnt sienna and white for the hills, adding green and umber for shadows. Mix greens and yellows for the foreground vegetation.

techniques

  • ·color blocking
  • ·smooth blending
  • ·value gradation
  • ·simplified forms
  • ·atmospheric perspective

common pitfalls

  • →overworking the blending
  • →creating muddy colors
  • →losing the overall shape of the forms
  • →making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a smooth canvas to facilitate blending. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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