
plate no. 7036
Recreating this painting helps students understand color blocking and how to simplify complex forms into basic shapes. It also provides practice in blending colors to create smooth transitions and subtle value changes.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains and hills, focusing on their overall form and placement.
Block in the large areas of color for the sky, mountains, and foreground hills.
Begin blending the colors within each section to create smooth transitions and subtle value changes.
Add the darker values to define the shadows and contours of the mountains and hills.
Introduce lighter values to highlight the peaks and ridges.
Paint the small trees in the foreground with simple brushstrokes.
Refine the edges and details of the shapes, paying attention to the overall harmony of the composition.
Add final touches and highlights to complete the painting.
color palette
primary · ultramarine blue · burnt sienna · titanium white
secondary · sap green · raw umber
Mix blues and white for the sky, adding small amounts of black or umber for darker mountain shades. Use burnt sienna and white for the hills, adding green and umber for shadows. Mix greens and yellows for the foreground vegetation.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas to facilitate blending. Acrylics will dry faster, while oils allow for more blending time.
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